This house was built between 1983 and 1990 on a remote headland of Phillip Island, Victoria, and was designed to connect with the surrounding landscape by hugging the shoreline and cleverly disappearing into a sand dune.
Barrie Marshall is one of the founding partners of the multi-award winning international architecture practice Denton Corker Marshall, established in 1972. Marshall designed the experimental Phillip Island House as his family holiday house and took eight years to complete its construction.
This house is entirely personal... it is a combination of medieval walled world and spare modernist edifice linked to nature and embracing the visual spectacle of its surrounds. From the ocean it registers as an abstracted black line, from the land it disappears into the the scrubby landscape, and from the sky...it is hard to spot. In knowing what he didn't want, Marshall created something, in his own words, 'quiet and elemental with no architectural form on the outside.
'Karen McCartney, 70/80/90 Iconic Australian Houses: Three Decades of Domestic Architecture
Interview
Scroll through a selection of photographs below to see details from the house designed by Barrie Marshall. Photographs by Michael Wee for the publication 70/80/90 Iconic Australian Houses by Karen McCartney.
In December 2022, Phyllis Murphy AM generously donated to the Caroline Simpson Library more than 3,000 wallpaper samples. While the bulk of the donation consists of wallpaper rolls, lengths and sample books, it also includes two printing rollers
These specially produced photograph albums (some in published form and others consisting of photographs pasted into an album) comprise images of one or more domestic dwellings and depict exteriors, interiors and gardens in NSW mostly from the late 19th to the early 20th centuries
This portfolio contains 55 photo prints taken by architectural photographer Richard Stringer, dating from 1968 to 2003, documenting significant Australian domestic buildings
This collection consists of 232 photo negatives by architect and photographer Barry Wollaston of buildings in the Sydney region considered by the Royal Australian Institute of Architects in the early 1950s to be of architectural and historical value