First Nations stories

Read and reflect on First Nations history, culture and experience

Coomaditchie Lagoon
First Nations

Coomaditchie: The Art of Place

The works of the Coomaditchie artists speak of life in and around the settlement of Coomaditchie, its history, ecology and local Dreaming stories

A collection of old printed documents
First Nations

Cummeragunja Walk Off

The Cummeragunja Walk Off which began in February 1939 has been described as the first ever mass strike of Aboriginal people in Australia. It brought about changes to the Aborigines Protection Act of NSW

Handpainted image from book of woman in canoe. Margins of page visible on left and right.
First Nations

A fisher woman of Warrane

Daringa’s short but fascinating life reflects the connection of coastal Aboriginal peoples to the water, and the key role played by women in the fishing economy

From our exhibitions

Our Ngura
First Nations

Seeing Sydney, Knowing Country: The Library of the Dreaming

Dharawal and Yuin designer Alison Page shares the knowledge and philosophies that define Aboriginal understandings of Country and the life that is lived on it

Coomaditchie: The Art of Place marketing photoshoot
First Nations

Do touch

We all know we can’t touch collection objects or artworks displayed in museums. However, the new display Cast in cast out by First Nations artist Dennis Golding at the Museum of Sydney includes a ‘do touch’ element

Coomaditchie Lagoon
First Nations

Coomaditchie: The Art of Place

The works of the Coomaditchie artists speak of life in and around the settlement of Coomaditchie, its history, ecology and local Dreaming stories

Dennis Golding Cast in Cast out at the Museum of Sydney

Cast in cast out: recasting fragments of memory

An in-depth look at Dennis Golding's experiences and childhood memories of growing up in ‘The Block’

Close up view of Steven Russel and Phyllis Stewart 'Untitled (woven Sydney Opera House)', 2023 - The People's House marketing & installation photoshoot - The People's House marketing & installation photoshoot
First Nations

How to weave an opera house

Inspired by a stunning shellworked model of the Sydney Opera House by Bidjigal artist Esme Timbery, First Nations curator Tess Allas commissioned a woven model of the iconic building from master weavers Steven Russell and Phyllis Stewart

Sergeant Tracker Alexander ‘Alec’ Riley wearing his police uniform
First Nations

Alexander Riley, legendary Aboriginal police tracker

The remarkable talents of Aboriginal trackers who worked for NSW Police in the 20th century are featured in a display at the Justice & Police Museum

From our Collections

Government and General Order regarding the 'civilisation of the Aborigines', 10 December 1814
First Nations

Grief in the archives: a Blak reflection on Sorry Day

In this article, Dylan Hoskins, Project Assistant on the First Nations Community Access to Archives project, reflects on the significance of National Sorry Day through his lived experience as an Aboriginal person

NRS 12061 [12/8749.1] 62/1515pt1, p334
First Nations

Advocacy, allyship and the rise and fall of the Aborigines Protection Board

In the lead-up to 26 January, the State Archives Collection provides opportunities to explore and reflect on past examples of advocacy and allyship in the fight for First Nations rights

'Day of Mourning' Aboriginal meeting on 26 January 1938 at Australian Hall, Sydney, NSW
First Nations

Day of Mourning

January 26 has long been a day of debate and civic action. Those who celebrate may be surprised of the date’s significance in NSW as a protest to the celebrations of the anniversary of the arrival of the First Fleet on what was then “Anniversary Day” in NSW

First Nations

Maria Lock’s 1831 petition

This extraordinary document is of great interest historically – and, as Dr Penny Stannard discovered, it also contains a moving connection to her own family that continues to resonate down the generations

First contacts

Pencil drawing of Bathurst 1818, Plans of Government Buildings at Bathurst, Main series of letters received [Colonial Secretary], 1788–1826.
First Nations

Convict farmer Antonio Roderigo and a ‘dastardly massacre’

A dispute over potatoes farmed by convict-settler Antonio Roderigo was one of many hostile events between colonists and Wiradyuri people that led to the Bathurst War of 1824

Illustration from book of a group of Aboriginal people being rounded up by white men on horseback.
Convict Sydney

Myall Creek massacre

On Sunday 10 June 1838, at least 28 Aboriginal people were massacred by a group of 12 Europeans at Myall Creek Station

Expansion

Convicts played a crucial role in the new colony’s rapid spread, which dispossessed and displaced Australia’s First Peoples, and indelibly altered their lands

On This Day

Report of the Myall Creek Massacre

This important document is one of the first official reports to the authorities of the atrocity in June 1838 that later became known as the Myall Creek Massacre, in which 28 Aboriginal people were killed

Music

[Sydney from the north shore], Joseph Lycett, 1827.

Hearing the music of early New South Wales

A new website documents an exciting partnership between Museums of History NSW and the University of Sydney in an exploration of Indigenous song and European settler vocal and instrumental music in early colonial NSW

Harold Blair sings at a piano played by Marjorie Lawrence
First Nations

Paving the way ... Harold Blair: The first Aboriginal opera singer

A short documentary that offers a glimpse into the life of Harold Blair, a world-renowned tenor, family man and political campaigner who sought social justice and human rights for Australia’s First Nations people

Todd Duncan (baritone) with Harold Blair, c.1950s
First Nations

Harold Blair, trailblazer

Wulli Wulli tenor Harold Blair AM was Australia’s first professionally trained Aboriginal opera singer

Owner bound volume of assorted songs, in the collection of Rouse Hill House & Farm, 1850-1864. [music]
First Nations

‘Gii, Gundhi (Hearts and Homes)’

A single song can have a thousand meanings depending on its interpreter. Yuwaalaraay storyteller and musician Nardi Simpson shares her version of a 19th-century parlour song