Cutter and Coota: a children’s play by Bruce Pascoe

Meet author and historian Bruce Pascoe and the main characters from his play Cutter and Coota as they reflect on the play’s themes and the experience of performing at the Hyde Park Barracks.

Presented in association with Moogahlin Performing Arts, the play chronicles the adventures of Cutter, an ambitious and determined rat recently arrived in convict Sydney from Britain, and Coota, an insightful, local bandicoot, as they find freedom and friendship. Along the way, the play explores themes of colonisation, environment and the human ability to grow and change. For Pascoe, the play set out to create a gentle way to talk to children about questions of identity and the past, and to explore the convict history and legacy of the Hyde Park Barracks, from both Indigenous and non-Indigenous perspectives.

You've got Cutter .. wanting to make a better life for herself and Coota, the indigenous bandicoot ... who'll do anything to protect his home

actor Mema Munro, 2022

Cutter and Coota premiered at the Hyde Park Barracks in October 2022.

Published on 
Our Ngura
First Nations

Seeing Sydney, Knowing Country: The Library of the Dreaming

Dharawal and Yuin designer Alison Page shares the knowledge and philosophies that define Aboriginal understandings of Country and the life that is lived on it

NRS 12061 [12/8749.1] 62/1515pt1, p334

Advocacy, allyship and the rise and fall of the Aborigines Protection Board

In the lead-up to 26 January, the State Archives Collection provides opportunities to explore and reflect on past examples of advocacy and allyship in the fight for First Nations rights

[Sydney from the north shore], Joseph Lycett, 1827.

Hearing the music of early New South Wales

A new website documents an exciting partnership between Museums of History NSW and the University of Sydney in an exploration of Indigenous song and European settler vocal and instrumental music in early colonial NSW

Coomaditchie: The Art of Place marketing photoshoot
First Nations

Do touch

We all know we can’t touch collection objects or artworks displayed in museums. However, the new display Cast in cast out by First Nations artist Dennis Golding at the Museum of Sydney includes a ‘do touch’ element