Tours at Elizabeth Farm often start alongside a large bed of succulents, dominated by towering cactus. It can be quite a surprise for visitors to discover that colonial gardens contained such a wide variety of plants, including aloes from South Africa, agaves (Agave attenuata and A. americana) and yuccas (the fiercely spined Yucca gloriosa or ‘Spanish daggers’) from Central America.
Every winter these tall aloes (Aloe arborescens, a relative of the familiar but low-growing Aloe vera, A. barbadensis) produce wonderful displays of orange-red flowers, their distinctive branched display earning them the name ‘candelabra aloe’. They’re one of many South African plants in the Elizabeth Farm garden, such as pots of bulbs - ixias, sparaxis, and bright blue babiana flowers - that open in late Spring, while in late Summer dense clumps of crinum bulbs (The pink Belladonna Lily or ‘Naked Lady’, Amaryllis belladonna) explode into colour.
Tough, fast-growing and drought tolerant, and easy to grow from a cutting, the candelabra aloe is a striking sculptural form in a garden even when not in flower. Frost sensitive, it enjoys full sun, and a rich but free-draining soil. These winter flowering aloes will be in flower at Elizabeth Farm for another few weeks, with even the spent infloresence remaining quite distinctive.
lizabeth [Jnr.] interests herself about the garden – but really we have had such a succession of untoward seasons that she had almost given it up – she has a fine collection of bulbs from the Cape, in addition to those that you brought, the Archdeacon [Thomas Hobbes Scott, who rented Hambledon] had a great variety which he had planted at the cottage, some of them still remained there and a great portion have been removed into our garden – amongst these is the celebrated Amaryllis Josephine – it bloomed last season in great perfection together with many others equally beautiful, and extraordinary.
Elizabeth to Edward Macarthur. Written at Parramatta, May 31, 1828 ML A2906.
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Dr Scott Hill
Curator
Formal studies in architecture, along with travels through Asia and Europe, furthered Scott’s interest in colonial building, domestic design, and the intrinsic relationship between architecture and landscape. This culminated in his PhD ‘Paper Houses’, which examines the significant colonial identity John Macarthur’s interest in architecture, and the design of the Macarthur houses Elizabeth Farm (1793) and Camden Park (1834). In Scott’s words: ‘understanding a historic house, an interior or landscape is for me a process of 'reverse‐designing', about taking the finished product and digging down to find the 'why': the reasons, the decisions and the myriad hidden influences that led to its creation’. He has been curator at Elizabeth Bay House and Vaucluse House and most recently at Elizabeth Farm, Rouse Hill Estate, and Meroogal; ‘The Curator’ in the award-winning SLM blog The Cook and the Curator; co-curated the Eat Your History: A Shared Table exhibition; and in 2023-24 he was senior curator of the exhibition ‘The People’s House: Sydney Opera House at 50’ at the Museum of Sydney.